The New Materialist Objection to Butlerian Performativity: An Unresolved Correlationist Circle in Contemporary Feminism

Emerging as a critique of the cultural paradigm in philosophy, new materialism has had a significant impact on the contemporary landscape of the humanities and social sciences, particularly since the 2000s. Following Donna Haraway’s 1988 critique of social constructivism, developed through her concept of situated knowledge, which invited feminists to make reality claims rather than merely addressing the extent to which this or that practice is socially constructed, new materialist feminisms proposed solutions for conceiving the agency of matter—as well as the body and the nonhuman—in its various entanglements with meaning and discourse. Most have criticized Judith Butler’s concept of performativity for reducing the body to either a sign or a fantasy, thus ignoring its agency. In this article, after positioning the new materialist critique of the cultural turn as a response to Haraway’s earlier call for faithful claims to reality, I argue that the underlying problem of the new materialists with Butlerian performativity is generally framed in terms of an objection to correlationism, as conceptualized by the French philosopher Meillassaux, which the new materialist feminisms themselves do not manage to evade either.