Oligarchic Power Representation in Documentary Film Pesta Oligarki
Oligarchic Power Representation in Documentary Film Pesta Oligarki
D. Nugroho,M. Fikri
Abstract
General Background: Oligarchy remains a significant issue in Indonesian political and economic discourse, particularly within democratic and electoral processes. Specific Background: The documentary film Pesta Oligarki produced by Watchdoc Documentary presents socio-political phenomena related to elite domination during the 2024 Indonesian elections. Knowledge Gap: Academic examination of how oligarchic practices are symbolically represented through documentary visual narratives remains limited. Aims: This study analyzes the representation of oligarchic practices in the film using Charles Sanders Peirce’s semiotic framework. Results: Six major scenes illustrate land evictions, legislative control by political parties, political image construction, state repression, presidential nomination restrictions, and opposition co-optation, demonstrating oligarchic penetration into political, legal, and social structures. Novelty: This research applies Peirce’s triadic semiotic model to interpret oligarchic symbolism within Indonesian political documentary cinema. Implications: The findings highlight documentary film as a medium of social criticism and political education that encourages public critical awareness of democratic processes and power relations in Indonesia.
Highlights:Visual Narratives Reveal Systemic Elite Domination Across Governance, Law, and Public Policy Processes.
Symbolic Cinematic Elements Portray Democracy as Structurally Controlled by Concentrated Political and Economic Actors.Documentary Storytelling Functions as a Critical Medium for Public Political Awareness and Reflection.Keywords: Oligarchy, Documentary Film, Semiotics, Political Communication, 2024 Elections
