Benedetta Cappa Marinetti e Růžena Zàtkovà: due futuriste tra sperimentalismo e teosofia
Benedetta Cappa Marinetti e Růžena Zàtkovà: due futuriste tra sperimentalismo e teosofia
Simona Cigliani
Abstract
Benedetta Cappa (1897–1977), wife of Filippo Tommaso Marinetti and a pupil of Giacomo Balla, was an artist, a writer, a theorist who made a significant contribution to the history of the avant-garde and to the artistic research of the early Twentieth Century. His pictorial and literary production is nourished by a strong idealistic aspiration, which finds support and inspiration in the contemporary milieu of esoteric irrationalism, whose different currents were well known even by many futurists. She herself, moreover, since her formative years, was in close contact with environments and personalities permeated with theosophical ideals, especially, among others, with the Bohemian artist Růžena Zàtkovà and with Balla himself.
